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American Sniper




Film: American Sniper

Starring: Bradley Cooper (American Hustle) and Sienna Miller (Foxcatcher)

Director: Clint Eastwood (Million Dollar Baby)

U.S. Release: January 16th, 2014 (Rated R)

Genre: Action

Runtime: 132 minutes


Every year a few prestigious titles hold off their general release until the last possible moment. Although most viewers won't be seeing Clint Eastwood's American Sniper until 2015 (me included), a late-December limited release in the Los Angeles and New York City markets only qualified the film for the upcoming Academy Awards in February. The reason for this is simple, many people believe there's a strategic advantage to being the freshest movie in a voting member's mind. And while no one will really know the impact until Oscar Nominations are handed out on Thursday, January 15th, the fact remains that American Sniper is a well-earned return to form for Eastwood.

Bradley Cooper stars as the war hero and patriot, Chris Kyle. After a stagnant life in the Texas rodeo prompted the 30 year old to join the Navy Seals and defend his country, Chris Kyle was deployed to Iraq where he collected more than 150 recorded sniper kills. But rather than the enormous number of Iraqi insurgents he murdered with pinpoint accuracy in order to protect his fellow officers, Chris was haunted by all the American casualties he failed to save.


It's an undeniable truth, war desensitizes you. But what can prepare someone for pinning the Navy Seal emblem on their chest and becoming a trained assassin in an endless war? Bradley Cooper gives his most valiant attempt at understanding such a person as he lives, breathes and transforms himself into Chris Kyle, the deadliest sniper in American history. Cooper's immensely dedicated performance is both cold and selfless all at the same time. I watched an interesting interview where Chris Kyle described the barrier between the typical American lifestyle and the battlefield. Much like Jack Nicholson in A Few Good Men, Chris spoke about the every-day civilian's inability to process what goes on in a war zone. We could never really understand unless we experienced it, and perhaps that's what makes Cooper's performance so golden. He peels the layers of a character devoted to his country and guilt ridden while state-side in between tours, but aware of the war's crippling impact on his family life. This multi-dimensional story is brilliantly captured by Clint Eastwood, a director I've openly criticized after a lengthy decline in his quality of work. But much like a tough-love superior officer, I only offered my negative remarks towards Eastwood because of his illustrious history as a filmmaker. After the disappointing adapted musical, Jersey Boys, it was fair to say that Eastwood was capable of better. And with the upcoming general release of American Sniper, we're given a refreshing taste of his prior greatness.


Although American Sniper is a successful and tense action-drama, the feature suffers from a few detractors. Like many other recently adapted films, the source material is so expansive that it becomes impossible to transfer every aspect of the book to the big screen. Eastwood places the main focus on Chris Kyle's time in Iraq and, as a result, cuts a great deal of the Navy Seal's home life out of the script. Personally, I'm a fan of substance and story, so I would have gladly traded a majority of the constant gun fire and battlefield footage for a deeper insight into his personal life. Furthermore, some of the war-time scenes feel slightly unrealistic. Although a service member friend of mine assured me of more accuracy than I'd expect, witnessing Chris Kyle's personal phone calls to home while out on important assignments seemed both irresponsible and highly fabricated. However, an Oscar-worthy performance from Bradley Cooper and detailed direction from Clint Eastwood clearly overshadow the film's weaknesses.

With American Sniper you should expect a long-winded and slow-burning affair, regular staples in any Eastwood film. The repetitious cat-and-mouse struggle between Chris Kyle and a lethal Syrian sniper definitely over-extends itself as well. Yet, long after the credits roll,  Bradley Cooper's towering portrayal of a complex national hero will not be forgotten. The same goes for Chris Kyle's unselfish service to our country.


Stars: 3 stars out of 4

Grade: B

Exodus: Gods and Kings

Exodus: Gods and Kings

The gods? Pish. Moses can do without 'em.

In the ancient Egypt reconstructed here by famed film director Ridley Scott—where rivers, rocks and rising suns all have their own personal deities, where the pharaoh Seti scrutinizes animal organs for omens—Moses puts his faith in himself and his own strong right arm. As one of Seti's most trusted generals, he knows full well the challenges facing this riverfront empire: Neither Amun nor Osiris nor any other deity is going to save the Egyptian people from the Hittites. Moses and his princely stepbrother, Ramses, at the front of the Egyptian army, stand a better chance of protecting the kingdom than a handful of goose guts. 

So when a priestess uncovers an omen in some entrails—that in an upcoming battle a leader will be saved, and the savior will lead—Moses shrugs it off. And even when he does rescue Ramses from impending doom, he takes pains to minimize it. Prophecy, schmophecy.

Not Ramses, though. Even though the prince loves Moses like the brother he grows up to be, the foretelling now makes him a foe. And when Ramses hears rumors that Moses might not be Egyptian at all—that he could be, of all things, a Hebrew, one of those who were enslaved by the Egyptians 400 years earlier—Ramses knows that Moses will have to go.

Ridley's Ramses exiles Moses to the wastelands beyond the Nile, where Moses eventually finds Jethro and his fair daughters in the land of Midian. There, he finds a wife (Zipporah), a new life (as a shepherd) … and a new God to deal with. Moses' own son points to a mountain and tells him that it's sacred. "God's mountain," he says. And when Moses hesitates to accept, Zipporah chastises him for confusing the child.

"Is it good for a boy to grow up believing in nothing?" She asks him.

"Is it bad to grow up believing in yourself?" Moses retorts.

But when a few sheep scamper up this sacred hill and Moses runs after them, something happens to shake his agnosticism. He gets knocked around and knocked out by a landslide. And when he comes to, he sees a burning bush. Beside it, a child—a child who talks as no child should.

"Who are you?" Moses asks.

"I Am," the child tells him.

Moses told himself that he wanted nothing to do with all those gods. But it seems that God may want something to do with him.

GENRE
Drama, Action/Adventure, War
CAST
Christian Bale as Moses; Joel Edgerton as Ramses; Aaron Paul as Joshua; John Turturro as Seti; Maria Valverde as Zipporah; Isaac Andrews as Malak; Ben Kingsley as Nun, Sigourney Weaver as Tuya
DIRECTOR
Ridley Scott (The Counselor, Prometheus, Robin Hood, Body of Lies, American Gangster, A Good Year, Kingdom of Heaven, Matchstick Men, Black Hawk Down, Hannibal, Gladiator)
DISTRIBUTOR
20th Century Fox
IN THEATERS
December 12, 2014

The Hobbit: The Battle of the Five Armies

The Hobbit: The Battle of the Five Armies


When last we left Peter Jackson's three-part cinematic adaptation of J.R.R. Tolkien's The Hobbit, Smaug was swooping down upon the burgh of Laketown with desolation on his dragony mind. 

Smaug the mighty. Smaug the fire-bringer. Smaug the invincible. 

Or so he thinks. 

As the winged wyrm torches the tinderbox town, the man known as Bard nocks arrows to fell him. Smaug mocks. Smaug laughs. And Smaug dies. Bard's last projectile pierces the lone point of vulnerability in the dragon's otherwise impenetrable hide, slaying the hated and hateful beast. 

It should be a time of celebration. Of emancipation. But devastation is all that remains in the wake of the firedrake's conflagration. So the now-homeless denizens of Laketown turn their eyes toward their only nearby refuge: the crumbling walls of Dale near the gates of Erebor, the fabled mountain redoubt of the dwarves lately devoid of the scaly interloper that had slumbered there for six decades. 

The fallout of Smaug's downfall is not lost on the band of dwarves who plotted his eviction. Led by Thorin, they watch Laketown smolder from Erebor's heights. With Bilbo's burglaring help, they'd achieved their quest against long odds, vanquishing the dragon and reclaiming their ancestral fortress. 

It should be a time of celebration. Of emancipation. But more devastation awaits. 

That's because Erebor is home to the most fabulous treasure in Middle-earth … treasure all the races believe they're entitled to. The dwarves. The elves. The bedraggled refugees of Laketown, whom Thorin had promised recompense if they helped. 

But that was before Thorin saw it. 

All. That. Gold. In all of its blazing, beautiful, corrupting, corroding luster. Having seized Erebor's inestimable fortune, and having been seized by its seductive allure, Thorin has no intention of sharing any of it. 

"By my life," he vows, echoing Smaug's own declaration before he perished, "I will not part with a single coin, not one piece of it." 

Even if it means hardening his heart to the downtrodden survivors of Laketown. Even if it means going to war with an elven army led by their king, Thranduil. Even if it means spurning the friendship and counsel of Gandalf, Bilbo and all the other members of his company. Even if it means abandoning an army of dwarves (led by Thorin's cousin Dáin) that arrives at Erebor hours after Thranduil's bow-bearing elven battalion does.

"Will you have peace or war?" Bard asks Thorin on the threshold of a cataclysmic conflict. 

"I will have war," the dwarven leader spits. 

And that's when the orcs and the goblins and the wargs and the trolls and all manner of other misbegotten adversaries join the fray. Led by Thorin's lifelong nemesis, Azog, these creatures have still another claim in mind: the would-be dwarf king's head.

GENRE
Drama, Action/Adventure, Sci-Fi/Fantasy, War
CAST
Martin Freeman as Bilbo Baggins; Ian McKellen as Gandalf; Richard Armitage as Thorin; Ken Stott as Balin; Graham McTavish as Dwalin; William Kircher as Bifur; James Nesbitt as Bofur; Stephen Hunter as Bombur; Dean O'Gorman as Fili; Aidan Turner as Kili; John Callen as Oin; Peter Hambleton as Gloin; Jed Brophy as Nori; Mark Hadlow as Dori; Adam Brown Ori; Orlando Bloom as Legolas; Evangeline Lilly as Tauriel; Cate Blanchett as Galadriel; Christopher Lee as Saruman; Sylvester McCoy as Radagast; Lee Pace as Thranduil; Luke Evans as Bard; Manu Bennett as Azog; Lawrence Makoare as Bolg; Mikael Persbrandt as Beorn; Benedict Cumberbatch as the voices of Smaug and Necromancer
DIRECTOR
Peter Jackson (The Hobbit: The Desolation of Smaug, The Hobbit: An Unexpected Journey, The Lovely Bones, King Kong, The Lord of the Rings: The Return of the King, The Lord of the Rings: The Two Towers, The Lord of the Rings: The Fellowship of the Ring)
DISTRIBUTOR
Warner Bros.
IN THEATERS
December 17, 2014


Night at the Museum: Secret of the Tomb

Night at the Museum: Secret of the Tomb


It's been quite an adventure for Larry Daley. Who woulda thought he could've risen from being a frowned-upon night watchman at New York's famous American Museum of Natural History to almost being in charge of the place? Or at least he's in charge of the museum's amazing animatronics display that everybody's raving about.

Of course, the truth of it is that there's no animatronics involved in his presentations at all. No wires, strings or well-devised 3-D images either. It's all brought about by the golden Tablet of Akmenrah—a long-ago unearthed magical artifact from Egypt that can somehow bring statues, figurines and T. rex bones to life every night with its mysterious powers.

But now the supernatural tablet is beginning to corrode for some reason. And Larry's in a panic about what to do. With each new inch of gold-gobbling rust, his cast of moving and talking historical characters and big bony buds seems to be losing its collective life force.

Time to go back to the beginning. Not his faltering start at the museum two movies ago, but actually the start of the tablet itself. He's going to have to find out more about the archeological dig that first uncovered it. And that will likely entail taking it to the British Museum of Natural History, home of Akmenrah's mummified parents, Merenkahre and Sheoseheret. If he can magically bringthem to life—along with every other artifact and fossil in that vast building—maybe he can get some good answers to his bad problem.

GENRE
Comedy, Sci-Fi/Fantasy, Action/Adventure, Kids
CAST
Ben Stiller as Larry Daley; Robin Williams as Teddy Roosevelt; Dan Stevens as Sir Lancelot; Rebel Wilson as Tilly; Ben Kingsley as Merenkahre
DIRECTOR
Shawn Levy (This Is Where I Leave You, The Internship, Real Steel, Date Night, Night at the Museum: Battle of the Smithsonian, Night at the Museum, The Pink Panther, Cheaper by the Dozen)
DISTRIBUTOR
20th Century Fox
IN THEATERS
December 19, 2014

The Taking of Pelham 123 : movie review


The Taking of Pelham 1 2 3 Is a New thriller starring Denzel Washington and John Travolta directed by Tony Scott shot in the subways of New York City. The story starts as a man who calls himself "Ryder," (John Travolta) leads a band of thugs as they highjack a subway train and MTA dispatcher Walter Garber (Denzel Washington) who is Reluctantly forced to be the Lead negotiator.
movie review The Taking of Pelham 123

This Film is a remake of a 1974 movie of the same name and reworked to meet a new audience. With modern dialog and cell phones, laptop computers and of course the fact that 911 effects the city still, this film was a really fast pace based roughly on the old plot. There are some wild scenes in this movie of New York City as the Mayor, (James Gandolfini) agrees to pay a $10 million ransom and they try to get the money across the city to the subway station. If nothing else is worth the price of admission to see James Gandolfini, Tony Soprano as mayor of New York it’s so cool. Denzel Washington and John Travolta work wel together and their voices are what id cool to have to big name actors in a dialog driven story about two characters that interact over a radio on the subway car. This film was made for a younger audience and I think that those are ones that do go to the movies regularly.

I think my fellow Critics just didn’t get that part of the puzzle, that this film was made with the 17-27ish age group in mind, so it’s fast cuts and rough, realistic dialog. What would a career family man with a Wife and kids and an ex-con straight out of prison talk like, what would the banter be? I think the writers nailed it dead on and the two main actors and Gandolfini included deliver the lines flawlessly. Also, the fact that this film has scenes filmed on the streets of New York to would in my opinion must have been a logistical nightmare and an undertaking that is in itself a commendable feat. This film also has some great editing and that’s often overlooked, editor Chris Lebenzon stitches together a compelling series of images that suck you in, and work well with the Music by Harry Gregson-Williams. This is a good film, not a great film and it overcomes a story that is antiquated, and turns it into a new and improved version that is engaging to watch.

Directed by Tony Scott
Produced by Tony Scott, Todd Black, Jason Blumenthal, Steve Tisch
Written by Screenplay: Brian Helgeland, David Koepp (uncredited),
Novel: Morton Freedgood
Starring Denzel Washington, John Travolta, James Gandolfini, Luis Guzman, John Turturro, Gbenga Akinnagbe, Frank Wood
Music by Harry Gregson-Williams
Cinematography Tobias A. Schliessler
Editing by Chris Lebenzon
Studio Relativity Media, Scott Free Productions,Escape Artists
Distributed by Columbia Pictures, Metro-Goldwyn-Mayer

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Spiderman 3


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The Spiderman movies have definitely changed the story from the comic book. Watching the first of the film , I wasn't happy with the depiction of Peter Parker as more self-centred and vain, which is unusually in the context of the comic books. At this moment, Peter Park goes through so much crap that it's a wonder he doesn't commit suicide (it's kind of like Jack Bauer in 24).

Some factual points that were changed, which I'll agree was necessary to make a decent movie, are as follows: The Venom costume is an alien being acquired during the Secret Wars battle with the Beyonder (which was one of the best "cosmic" series Marvel has put out). Spiderman doesn't want to kill villains; even when he is beaten and pulverised, he holds back from taking the ultimate step (in fact, it is rare to show people dying in the comic books). Harry Osborn is more like the depiction of Normie Osborn (the son of Harry and Liz Allan) who is friends with the daughter of Spiderman (Spidergirl). Gwen Stacy is killed by the first Green Goblin (Norman Osborn). The people of New York have rarely been on the side of Spiderman. J. Jonah Jameson has always had a point in saying that it is people like Spiderman who create the villains. And so on.

It's difficult for me to reconcile what I know of Spiderman's history with a movie story that does its best and I admire that. A problem with the movies is that they can't intersect with the other characters from the Marvel Universe. It would be great to have movies like the Secret Wars or the Infinity Gauntlet, War, and Crusade series where a bunch of the Marvel superheroes get together and the stories make more sense (for example, explaining the origin of the Venom symbiote), but I guess that would be a logistic and budgetary nightmare.

Halfway through the movie, the story gets in line with what you'd expect from the book. The rejected symbiote bonds with a humiliated Eddie Brock to become Venom, one of the coolest villains to be introduced in the later years. The Sandman is a villain who is ambiguous. And Spiderman has a run of bad luck and is pummeled constantly but triumphs in the end against all odds.

I once wrote a review of the Batman series where I connected them to a lot of the comic books (I own a huge number of Spiderman comic books) and some other reviewer criticised my review. The perspective I offer is fairly unique: it is based on an experience I can't ignore or negative, and I think it helps place the movie in context of a long history of the books. So if you're interested in the saga of Spiderman beyond what you see in the three movies, I recommend buying some of the great story arcs of Spiderman just to see how complicated and mythological the creations are.

Watch Season of the Witch Online Megavideo

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Season of the Witch is a 2011 American period action film with supernatural elements and directed by Dominic Sena. The film stars Nicolas Cage and Ron Perlman as knights who return from the Crusades to find their homeland ruined by the Black Plague. A girl is accused of being a witch and causing the devastation. The film will be released on January 7, 2011.

Season of The Witch 2011 Synopsis :
Many years have Behmen (Nicolas Cage) and Felson (Ron Perlman) lives in battle. Sharply honed instinct they have their instincts as a fighter while also not be underestimated. Unfortunately, the two soldiers of the Crusades was not aware that they face a task that would have proved far more terrible than a battle they've ever experienced.

How disappointed Behmen and Felson when returned to their hometown and found their shattered homeland ravaged, not by enemy but because of an outbreak that has swept the land. Rarely can survive the deadly plague and the only hope left is Behmen and Felson. Church and Felson Behmen ordered to arrest and bring a young girl named Anna (Claire Foy), who was accused as the cause of the horrible plague to a monastery for this plague to an end.

Anna should follow a cleansing ritual that will end the storm that has engulfed the death of the entire European continent. Behmen and Felson not alone. There was a priest named Debelzaq (Stephen Campbell Moore), a soldier named Eckhardt (Ulrich Thomsen, a con man named Hagamar (Stephen Graham), and a young man named Kay (Robert Sheehan). None of them are aware of how much danger would they face in bringing Anna's journey into the remote monastery. And no one knows who the real Anna.

Season of the Witch
Genre : Thriller
Release Date : January 7, 2011
Director : Dominic Sena
Script : Bragi F. Schut
Producer : Alex Gartner, Charles Roven
Distributor : Relativity Media
Duration : 92 minutes
Budget : -
Official Site : seasonofthewitchthemovie.com


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X-Men: First Class Online Free

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X-Men: First Class Movie is a series of the 5th of the movie X-Men after the X-Men trilogy and X-Men Origins: Wolverine. X-Men: First Class is the prequel of the X-Men trilogy set in the 60s when Charles Xavier and Eric Lehnsherr / Magneto is still young.

Movie Details
Director: Matthew Vaughn
Cast: James McAvoy, Michael Fassbender, Rose Byrne, Jennifer Lawrence, January Jones
Running Time: 131 Minutes

Like the four previous series, the film adaptation of the Marvel comic is also predicted to be as successful as the previous films. Film-film adaptation of the Marvel comic is much demand and has proved more successful even in the year 2011 alone 4 movie Marvel is ready to call it aired Thor (already aired last May and had topped the box office), X-Men: First Class (aired June 3 of this), Captain America: First Avenger (aired in July), and Spider-Man 4 (TBA).

X-Men: First Class Movie Synopsis :

X-Men: First Class Movie tells of the friendship of Charles Xavier (played by James McAvoy) and Eric Lehnserr (played by Michael Fassbender). Their friendship eventually dropped out due to disagreements. Charles then formed the group X-Men while Erick formed Brotherhood of mutants. In addition to Professor X and Magneto, another character known in previous X-Men series is Dr. Henry "Hank" McCoy, aka Beast (played by Nicholas Hoult) and Mystique (played by Jennifer Lawrence). Antagonist character in this film are a group of Hellfire Club, chaired by Sebastian Shaw (played by Kevin Bacon) who has the power to absorb the kinetic energy weapon fire and then use it to increase strength and speed.


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Spartacus Gods Of The Arena Reckoning

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Having simply just a pair of episodes associated with Spartacus: Gods on the Area left in order to weather, Now i'm pondering of which items are usually stocking up on towards one thing significant. To get those of you that have happen to be viewing your Spartacus prequel, we've found a clip and many specifics of the following Comes to an end night’s show of which you’ll undoubtedly wish to think about.

Final Comes to an end night’s show has been information on decadence within the section of Lucretia and Batiatus’ pals. The following Comes to an end nighttime, it appears your gladiators are increasingly being place on the test as Titus wants to discover which usually analysts actually are worthy of his or her make. Will certainly the following often be Crixus’ possible opportunity to glow?

Spartacus Gods from the Arena Episode a few on Feb 18, 2011 along with preserve one of the best of your respective Fri while using sequence with this is the prelude to the previous fitting up in such a six units connected with episode from the prequel sequence.



Spartacus Gods of the Arena Episode 5 Reckoning Synopsis:


Batiatus’s father arranges a tournament between his gladiators to put his ludus into a test and determine the worth of his men. Fully committed to succeed, Crixus finds himself drawn into the power play within the house.





Pirates of the Caribbean 4 on Stranger Tides


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Johnny Depp goodness. Is there really anyone out there who could make a sexier pirate that Johnny? Not bloody likely!

ON STRANGER TIDES is one of the best PIRATES OF THE CARIBBEAN movies to date. There were some doubts going into this as two key characters from the original trilogy are missing, Will and Elizabeth Turner. While Will and Elizabeth added a lot to the first three films their absence in the fourth is hardly worth mentioning. A new cast mixed with many old favorites makes for a great story.

On this adventure Jack faces off against Blackbeard, vicious mermaids, and an old girlfriend while searching for The Fountain of Youth. It’s good to see that Jack is keeping busy.

This movie is fun and exciting, loaded with action. There’s even a nice cliff-hanger to encourage the idea of a PIRATES OF THE CARIBBEAN 5. It seems like this franchise can truly go on forever without getting stale. Jack is such a great character that movies about him can never be boring.

The only disappointing aspect of this movie is the very minimal amount of screen time allotted to Jack the Monkey. That monkey is darn cute and kind of serves as a mascot for these films. Besides it’s a simple fact that monkeys should always have maximum screen time.

ON STRANGER TIDES is a great addition to a great franchise. This movie is not to be missed.

Watch Pirates of the Caribbean 4 On Stranger Tides Youtube Trailer :


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Urban Legends: Final Cut (2000)

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The first Urban Legend film ended with the death of the serial killer shrouded in mystery clearly pointing at a sequel. Urban Legends: Final Cut completely ignores that scenario (except until the very end) and comes up with a new one that is a rehash of the original film, but arguably executed slightly better.

In this film, Amy Mayfield (Jennifer Morrison) is a film student at Alpine University trying to come up with a thesis project. Given that her father is a famous director, there are heavy expectations placed on her. She finally decides on a project featuring a serial killer whose modus operandi is based on urban legends, myths where young college students are killed in hideous and gruesome ways.

Needless to say, this idea takes on a life of its own as people around Amy start dying. As in the Scream films, there are a lot of red herrings as to the identity of the real killer. In this film, the ending was one of the more surprising ones for me (though not completely a shock).

The suspense level in the film is fairly high (thanks in part of the surreal visual effects) and perhaps the cleverest aspect of the movie is that it dismisses the events in the first one as an urban legend (also the multiple choice involving guns at the end is amusing). The acting is passable. Urban Legends: Final Cut is a decent time killer and worth the matinee fare on the big screen. I don't recommend renting it though, unless you're a fan of the self-referential slash/gore horror genre.

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Jurassic Park 2: The Lost World


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Jurassic Park 2: The Lost World is essentially a rehash of the original. Man messes with nature. Things go wrong. People get eaten. The major difference is in the last part which is quite sophomoric and not at all fitting of Steven Spielberg.

It is four years after the horrific disaster that happened at Jurassic Park. Again, we meet the good doctor, John Hammond (Richard Attenborough), no longer at the head of his company but still pulling a few strings behind the back of his son, Peter (Arliss Howard). The original base camp of operations set up by Hammond on Isla Sorna, Site B, still exists and there are living colonies of dinosaurs there. Hammond, who has gone from capitalist to naturalist, wants to observe the creatures in their natural habitat and put to rest years of speculation about the lives of the great animals.

Dr. Ian Malcolm (Jeff Goldblum) is asked to come on board the team sent to scout the island where the dinosaurs live. He refuses until he learns that his girlfriend, paleontologist Dr. Sarah Harding (Julianne Moore) is already alone on the island. He then becomes part of a rescue mission including himself, photographer Nick Van Owen (Vince Vaughn), equipment specialist Eddie Carr (Richard Schiff), and his daughter Kelly Curtis (Vanessa Lee Chester) who stowed away in the back of the van.

Besides the animals who would like to have humans for din-din, Malcolm's team has to cope with Peter Hammond and Roland Tembo (Pete Postlethwaite). Tembo's goal is to kill a Tyrannosaurus Rex to prove man is the greatest hunter. Peter wants to capture the animals and bring them to the mainland to create "Jurassic Park, San Diego". Bad idea.

Spielberg and company, clearly realising they had a winning formula the last time around, don't deviate very much from it. By the time the Tyrannosaurus Rex gets to San Diego, I couldn't help but thinking I had just seen Jurassic Park again.

What is missing in this movie compared to the original is the intellectual aspect. There's no talk of chaos, no background about how the animals were bred and raised, no delving into evolution about how the animals could overcome their lysine deficiency, and no "this is Unix, I know this stuff!" Viewers are simply expected to have this knowledge, and this means more time for bone crunching effects. As a result, we have a movie that is darker and gorier than the original.

The movie is entertaining and has some interesting messages about cruelty to animals and leaving nature alone to do as it will. See it for the matinee price but don't spend the big bucks on this one.

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Harry Potter and the Chamber of Secrets

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The second Harry Potter film is better than the first, not because it is true to the book's story, but because it is true to the book's atmosphere.

The first Harry Potter movie was very good, but it stayed so close to the book that it spread itself too thin trying to get at every single detail. This adaptation of Joanne Rowling's second book (which I think is the weakest among the entire series) does indeed have all the good parts but focuses primarily on the main storyline. The film skips a lot of the background details, which makes for effective pacing, while taking liberties with the story to fit the big screen.

Here Harry Potter (Daniel Radcliff) and his friends, Ron (Rupert Grint) and Hermione (Emma Watson) once again encounter Voldemort (Christian Coulson) as a memory that has the power to become real. Voldemort opens the Chamber of Secrets freeing a fearsome Basilisk, an Alien-like snake that can kill with a glance. The snake's attacks threaten to close down Hogwarts School and Harry must stop them or be sent home to live with his foster parents (you can understand his motivation when you meet them at the introduction of every book/film).

The film is darker than the first, with scenes that are definitely creepy: Harry's encounter with a strange hand in Diagon Alley, Ron and Harry getting stuck in a willow tree that attacks them with its branches, Harry and Ron escaping from the giant spiders, and Harry's final battle with the Basilisk. There are also some Orwellian themes touched upon here, including Dobby the Elf's masochism and slavery, the ideal of some of the "Purebloods" to cleanse Hogwarts of the "Mudbloods".

The familiar high-profile cast do a fine job, with the newcomers, Kenneth Branagh as the pompous (and hilarious) new Dark Arts teacher Gilderoy Lockhart, and Jason Isaacs as an evil-oozing Lucius Malfoy, particularly standing out. While the child actors carry their roles well, some of them do tend to overact. The score does a great highlighting the suspense, which there exists a lot of.

The set design and accompanying cinematography and production deserves a paragraph of its own. The integration of computer generated images and the actors is very seamless. The Hogwarts school, the surrounding countryside, and the brief Quidditch match are all rendered with amazing reality.

If the first film was the setup, this one's definitely the payoff. Even though I know what happens next, I can't wait to see it.

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Pirates of the Caribbean: The Curse of the Black Pearl


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There are few roles in which I like Johnny Depp, but every time he plays an off-beat character, I really enjoy his performance. The Pirates of the Caribbean: The Curse of the Black Pearl is one such occasion.

Here Depp stars as Jack Sparrow, the famous pirate captain of the Black Pearl who was abandoned on an island by his first mate Barbossa (Geoffrey Rush). Through luck, Jack manages to survive and ends up on Port Royal in the Caribbean where he encounters an ongoing soap opera featuring Elizabeth Swann (Keira Knightly) the governor's daughter; Will Turner (Orlando Bloom), the son of a former pirate but taken in by the governor, and Norrington (Jack Davenport), the commander in charge of the armed forces on the island who is set to marry the governor's daughter. Jack not only has to deal with the governor and the commander who consider him a thieving pirate, but also with Barbossa and his crew who have now acquired the infamous curse of the Black Pearl.

One of the best aspects of the film is Depp's walk, which people say I mimicked when I was in Thailand and handed a drink which I just took a sip from but made me feel really woozy (there are stories of people drugging foreigners to take their money but fortunately I was with friends). It completely dominates the film. There's also a clever, but predictable, way out of the situation that Jack ends up being thrust in (namely, how does one kill things that can't die). In general the movie is characterised by situations where at first Jack appears to be doing something stupid but in reality is doing something very smart. This leads to some comic relief.

The Pirates of the Caribbean: The Curse of the Black Pearl was a surprisingly good movie, much better than I expected. I highly recommend checking it out on the big screen.

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